The outside of the Ambassador, like Dr. Who’s TARDIS, quiet and unassuming on the outside, but step through the door and a different and unexpected world is revealed.
Houghton, Michigan in the Keweenaw Peninsula is easily one of the truly historical cities in Michigan if not the midwest. Just driving down the streets takes one back 130 years. If it wasn’t for the cars, there wouldn’t be much difference. Many of the buildings are over a century old and still stand, used for businesses to this day.
Inside, many of the old buildings, the interiors have been modernized, but one is a marvelous step back into time. The Ambassador Restaurant is worth going to, simply to see the inside. It is colorful and antique while providing wonderful views. It is a place where the old town still lingers.
When walking into the Ambassador the colored lights and murals give a sense of wonder when coming through the door.
Built in 1898, the brick building is one block east of the Houghton Lift Bridge. From the outside, it almost seems like just any other place, but when you open the door, you step into a showcase of stained glass, murals, and woodwork. The back wall is lined with windows that provide expansive views of the Portage Canal, the Houghton Lift Bridge, and the city of Hancock, topped by the Quincy Mine hoist protruding into the skyline.
The back wall of the Ambassador is mostly window. The Houghton Lift Bridge can be seen through the window and the Jail Guard panel of the 3rd mural can be seen.
Though stained glass decorates the Ambassador throughout, it is the murals that adorn the walls and ceiling that capture the attention. The murals were originally painted as large oils on canvas and were commissioned by Joseph Bosch owner of the Bosch Breweries which were located in Houghton and Lake Linden. They were painted by a Mr. Rohrbeck and hung in the Bosch Brewery for several years. Eventually they came down and were hung in a bar that was east of the Ambassador called the Giltedge Bar. Prohibition struck and the murals were taken down and stored away. The Ambassador was a known speakeasy during Prohibition called Hole in the Wall.
This is the first mural which appears above the bar. The gnomes are brewing their beer.
When prohibition was repealed, saloons reopened or at least brought cocktails out of the closet, and began remodeling and redecorating the bars around town where the murals were rediscovered. Their next home was the Ambassador where they are now. The date of this is unsure, but it is believed it was in the 40s during a remodel.
This is the second mural that is across from the bar. The party is rolling and the drinking is heavy. Below it some of the stained glass windows are visible.
If looked at in the proper order, they tell a story. The first depicts gnomes brewing beer. They are stirring it up in a large cauldron like a witches brew. The second mural has the gnomes drinking the beer and partying hardy. The third shows them the morning after, hungover and spent, wiped out by their night drinking. A guard is outside so their drunk has ended with the lot of them locked up. This last mural has three separate panels and covers most of the west wall in the dining room. The artwork is superb and it is done with an obvious sense of humor.
This is the third mural which adorns the dining room wall. It is actually three panels, but it is so big i could only fit the middle one into a picture. The jailer panel can be seen in another picture.
The Ambassador is a restaurant that has also won some accolades. Back in the 60’s they developed their own pizza recipe and has since won a place in Pizza Magazine’s Pizza Hall of Fame. Personally, I never knew there was such a thing. But hey, who am I to argue, the food is excellent and not overpriced.
The bar back wall, the Portage Canal can be seen through the windows as well as more of the stained glass above them.
Never been here? That needs to be fixed. Any trip to the Houghton area and Copper Country, should include a stop here. It is a taste of “old” U.P. that is so much more than just a meal. I stop here and have a beer just to look at the place. It never gets old.
There’s even a poem about the Ambassador:
COME FILL A BUMPER
With brushes in hand and gnomes in his head, he created the masterpiece on the wall above.
First home for the paintings was the old Giltedge Bar, east of here, but not too far.
Streets were of dirt, sidewalks of wood, hitching posts for horses, business was good.
Beer for a nickel, whiskey for a dime, sandwiches a quarter any old time.
Prohibition was next, and became the law, the Ambassador, a speakeasy, called “Hole in the Wall”
Paintings were rolled and stored away, for twelve long years in the dust they lay.
At last came nineteen thirty-three, the law was repealed and Bacchus was free.
Saloons and taverns opened their doors, folks danced, sang, and drank spirits once more.
The old bar was hauled out of its storage place, and the paintings were hung on the walls they now grace.
The artist, long gone, would be proud if he knew, that folks still enjoy them as much as they do.
Poem above taken from the Ambassador’s website. For more information about the Ambassador Restaurant, go to their website at https://theambassadorhoughton.com/
This mural is a small one near the door at the entrance to the restaurant.
I received a note that pointed me to a review of my book Points North. It was from the Midwest Book Review and written by Carolyn Wilhelm. I really thought it was nice so I wanted to share it here.
What this does do, is give us a look into the faces that walked the streets of Red Jacket / Calumet in the 1880s and 90s. Walking along the streets one could easily encounter any one of these folks going about their daily business. The second picture is completely unknown though by looking at their faces, it appears that they are related. My guess would be brothers but it is impossible to be sure. It does illustrate the importance of labeling photographs of families. We don’t normally think of ourselves as historical but as time moves on all things become historical by their representations of days and people gone by.
The next picture, which is a typical Red Jacket couple, seem to be economically reasonably well off. If nothing else we know they are probably wearing their “Sunday best.” Most of the locals worked in the copper mines where the companies paid low wages and worked long endless days of hard labor. The early days of living on the Keweenaw were hard and cold, yet Red Jacket / Calumet thrived with art and culture. A dozen nationalities converged on the region all in pursuit of wealth from the copper deposits. Cornish, Irish, Italians, Finns, Swedes, and Slavs, all became the backbone of the copper community of the Keweenaw.
Like many communities, there were those that put on uniforms. Our fourth picture shows an unknown soldier from Red Jacket / Calumet. (For those that are unaware, Red Jacket is the original name of the town of Calumet. Calumet was the original name of Laurium. In the 1920s, they moved the name of Calumet to Red Jacket and Calumet became Laurium.) Not being an expert of the military, I’m not sure what this uniform is from. I believe he has a bayonet holder on his belt. It is his English style bobby hat he has next to him that has me guessing. It would be really great to put a name to this guy. Actually it would be really great to put a name to any of these pictures.
As I stated earlier, these are all people that one would have met on the streets during daily life. This last picture shows a pair of unknown women that still seem to have an old world connection. The embroidery on the dress of the woman on the right seems Scandinavian or Slavic. It is hard to tell if they are related. These pictures are around 150 years old. They depict the faces of those that came to one of the harshest places on Earth to establish their places in the American Dream. These are the pioneers of the Upper Peninsula. These are the faces of the U.P.’s past.